Дополнительные библиографические источники и материалы
- Asaf’ev B. Moy put. Sovietskaya Muzyka (8). P. 47—50. 1934.
- Asafyev B. Symphonic Etudes. Portraitis of Russian Operas and Ballets. Traducción de David Haas. Londres, 2008
- Baña M. Una intelligentsia musical. Modernidad, política e historia de Rusia en las óperas de Musorgsky y Rimsky-Korsakov. Buenos Aires: Gourmet Musical. 2017.
- Clark K. Petersburg. Crucible of Cultural Revolution. Cambridge, 1995.
- David-Fox M. “What is a Cultural Revolution?”. Russian Review 58 (2). P. 181—201. 1999.
- “Multiple Modernities Vs. Neo-Traditionalism: On Recent Debates in Russian and Soviet History”. Jahrbücher für Geschichte Osteuropas 55 (4). P. 535—555. 2006.
- “The Implications of Transnationalism”. Kritika: Explorations in Russian and Eurasian History 12 (4). P. 885—904. Ciudad. 2011.
- Edmunds N. The Soviet Proletarian Soviet Music. Oxford, 2000.
- Ferenc A. Music in the Socialist State. En Edmunds, N. / ed. Soviet Music and Society under Lenin and Stalin: The Baton and Sickle. P. 8—18. Londres & Nueva York, 2004.
- Figes O. La Revolución rusa (1891—1924). La tragedia de un pueblo. Barcelona, 2006.
- Fitzpatrick S. Lunacharski y la organización soviética de las artes. Madrid, 1977.
- La Revolución rusa. Buenos Aires, 2005.
- Glebov I. [Asaf’ev, B.] Melos: Knigi o muzyke. 2 vols. Leningrado, 1918.
- Haas D. “Boris Asafiev and Soviet Symphonic Theory”. The Musical Quarterly 76 (3). P. 410—432. 1992.
- Leningrad's Modernists 1917—1932. Studies in Composition and Musical Thought, 1917—1932. Nueva York, 1998.
- Kagarlitsky B. Los intelectuales y el Estado soviético. De 1917 al presente. Buenos Aires, 2006.
- Kassian S. “Un trait d’union entre la Russie et l’Europe au debut du XXe siècle: le musicologue B. V. Asaf’ev”. Revue de études slaves LXXXIV (3—4). P. 495—504. 2013.
- Maes F. A History of Russian Music. From Kamarinskaya to Babi Yar. Berkeley & Los Angeles, 2006.
- Mally L. Culture of the Future. The Proletkult Movement in Revolutionary Russia. Berkeley, 1990.
- Revolutionary Acts: Amateur Theater and the Soviet State. Ithaca, 2000.
- Martin-Chevallier L. “Le Prokoll: conception singulière d’une musique de la révolution”. Revue de études slaves LXXXIV (3-4). P. 479—494. 2013.
- McQuere G. (Ed.) Russian Theoretical Thought in Music. Ann Arbor, 1983.
- Nelson A. Music for the Revolution: Russian Musicians and Soviet Power 1917—1932. University Park, 2004.
- Olkhovsky Y. Vladimir Stasov and Russian National Culture. Ann Arbor, 1983.
- Orlova E. y Kryukov A. Akademik Boris Vladimirovich Asaf’ev. Leningrado: Sovietsky Kompozitor. 1984.
- Schwarz B. Music and Musical Life in Soviet Russia: 1917—1981. Bloomington, 1983.
- Sochor Z. Revolution and Culture: The Bogdanov-Lenin Controversy. Ithaca, 1998.
- Stites R. Revolutionary Dreams: Utopian Vision and Experimental Life in the Russian Revolution. Nueva York, 1989.
- Taruskin R. On Russian Music. Berkeley & Los Angeles, 2009.
- Viljanen E. Boris Asaf’ev and the Soviet Musicology. Helsinski, 2005.
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