Везде
Between Craft and Phylosophy: Music in the Eyes of the Medieval Intellectual
Table of contents
Annotation Estimate Publication content
References Comments
Share
QR
Metrics
Between Craft and Phylosophy: Music in the Eyes of the Medieval Intellectual
Annotation
PII
S207987840002517-7-1
DOI
10.18254/S0002517-7-1
Publication type
Article
Status
Published
Authors
Aleksandra Kulpina 
Occupation: Junior Research Fellow
Affiliation: Institute of Philosophy RAS
Address: Russian Federation, Moscow
Edition
Volume 9 Issue 10 (74)
Abstract
The article examines knowledge and practical skills that were associated with the word “music” by a medieval West-European erudite. A group of Italian derivational dictionaries created between 11th and 13th is a main source for the study. This group contains Elementarium doctrinae rudimentum by Papias the Lombard, Derivationes by Huguccio of Pisa, Liber derivationum by Gualtiero d’Ascoli and Catholicon by John of Genoa. These lexicographical writings were widely used by students and teachers until the Renaissance as a primitive encyclopedic handbook. This article demonstrates explanations of a word “musica” given in these dictionaries. The notion about a musician as a craftsman and as a philosopher is examined in this article and a connection between this notion and intellectual context of that period is also outlined.
Keywords
derivation, dictionary, lexicography, music, philosophy, liberal arts, Papias the Lombard, Huguccio of Pisa, John of Genoa
Received
10.09.2018
Publication date
30.11.2018
Number of characters
20952
Number of purchasers
16
Views
5322
Readers community rating
0.0 (0 votes)
Cite Download pdf 200 RUB / 1.0 SU

To download PDF you should pay the subscribtion

Full text is available to subscribers only
Subscribe right now
Only article and additional services
Subscription benefits
200 RUB / 1.0 SU
Whole issue and additional services
Subscription benefits
800 RUB / 10.0 SU
All issues and additional services for 2018
Subscription benefits
2500 RUB / 50.0 SU

References

1. Ado I. Svobodnye iskusstva i filosofiya v antichnoj mysli. M., 2002.

2. Dvoskina E. M. Avgustin i ego traktat // Avrelij Avgustin. Shest' knig o muzyke / per., komm., issl. E. M. Dvoskinoj. M., 2017. S. 255—282.

3. Gajdenko V. P., Smirnov V. A. Zapadnoevropejskaya nauka v srednie veka: Obschie printsipy i uchenie o dvizhenii. M., 1989.

4. Istoricheskij atlas srednevekovoj muzyki / pod. red. V. Minatstsi, Ch. Ruini. M., 2016.

5. Kul'pina A. V. Derivatsionnye slovari i latinskaya uchenost' v Italii XI—XIII vekov // Intellektual'nye traditsii v proshlom i nastoyaschem / otv. red. V. V. Petrov. 2018. № 4. S. 269—286.

6. Lebedev S. N. Filosofskie predposylki traktata Ioanna de Grokejo «O muzyke» // Izrail' XXI: Muzykal'nyj zhurnal [Ehlektronnyj resurs]. http://21israel-music.net/Grocheio.htm (Data obrascheniya 30.01.2017).

7. Minatstsi V. Kolokol'nyj zvon v prostranstve Srednevekov'ya // Istoricheskij atlas srednevekovoj muzyki / pod. red. V. Minatstsi, Ch. Ruini. M., 2016. S. 214—217.

8. Mozer G. I. Muzyka srednevekovogo goroda. L., 1927.

9. Pospelova R. L. Traktaty o muzyke Ioanna Tinktorisa s prilozheniem polnogo russkogo perevoda onykh. M., 2009.

10. Grout D. J. A History of Western Music. NY, 1973.

11. Hicks A. Composing the World: Harmony in Medieval Platonic Cosmos. NY, 2017.

12. Hope R. C. Medieval Music: A Historical Sketch. London, 1899.

13. Huglo M. Chant grégorien et musique médiévale. Aldershot, 2005.

14. Idem. Les tonaires: inventaires, analyse, comparaison. Paris, 1971.

15. Nuchelmans G. Philologia e son mariage avec Mercure jusqu’à la fin de XIIe siècle // Latomus. T. 16. 1957. P. 84—107.

16. Raum und Raumvorstellung im Mittelalter / hg. J. A. Aertsen, A. Speer. Berlin, 1988.

17. Yudkin J. Music in Medieval Europe. Englewood Cliffs, N. J.

Comments

No posts found

Write a review
Translate